I seriously don't know where time goes. Approximately 39289827 times throughout the week I think to myself, "Self, you should write in your blog this eve!" And then I watch as my friend Amanda wins me a ticket to Hair, or I watch Glee or I sing in the piano lounge with Nick for six or seven hours, or I go to the bakery down the street and buy a cupcake.
All of which are LEGIT. But not so much conducive to updating you on my life.
I had my first week of classes this week. And they were HARD. I literally came home from my first day and couldn't decide if I loved every minute of it, or if I wanted to quit and fly home immediately. But it got better.
Monday: Acting, with Irma Sandrey. Initially I was excited because my teacher's name is Irma. She is a tiny little woman and she seems very self-contained. The classes are structured so that everyone can take any class, so experienced people are in with new students, so I was surrounded by a lot of people who totally knew what they were doing. I was uncomfortable. Yikes. Four hours of relaxation exercises and sensory-perception exercises and scene-partner assigning. LONG TIME.
Tuesday: Acting, with Lola Cohen. Lola is my new obsession. She is warm and loud and passionate and fun and I love her. But the class is essentially a repeat of the day before with one notable exception. Lola had me do an improv with two other (experienced) people in the class and at the end, she said to me, "Great improv work today. You were really great. And anyone good at improv is going to be a marvelous actor." Yay!
Movement for the Actor, with Michael Ryan. I didn't expect to actually sweat - I expected that I was going to be told that I stand with too much tension in my shoulders and lower back and that I should learn to walk better. But we got to dance and jump and frolic. A good time was had by all.
Wednesday: Vocal Production, with Bruce Baumer. To sum up the class, the goal is that I will leave being completely capable of performing in a 350-seat theatre, without a mic. I hope this happens. We didn't actually do much in class, just talked about a lot of random things, like how much the teacher loves Neil LaBute (gag me with a spoon).
Thursday: Dialects, with Barbara Rubin. SO EXCITED. All we did was learn the vowels in the International Phonetic Language, but I will eventually walk out of this class capable of: Standard American, London, Cockney, Irish, Scottish, Australian, French, Spanish, Italian, German, South African and a few more dialects. Hooray!
Singing, with Jan Douglas. The most notable thing that happened was that I discovered that Jan is a man. I had no idea.
And repeat next week. Except I have Monday off, because it's Yom Kippur! Hooray Jewish High Holy Days!
This week was also INCREDIBLY exciting because Nick and I FINALLY saw Hair!!! I wasn't even there for the lottery - our friend Amanda put her name in to aid the Help
Kelly and Nick See Hair Fund. And she won!
Needless to say it was amazing. Obviously I don't have the emotional attachment to the show that Nick does, nor have I been living and breathing and waiting for the show for approximately ten months, but it was still brilliant. Beautiful singing, wonderful characterization/total commitment from the actors and an emotional impact made it a fab experience. I couldn't really see the stage, ever, but I got my hair and body touched not once, not twice, NOT THRICE but FOUR TIMES BY ACTORS IN THE SHOW.
Plus at the end, Nick and I got to dance onstage during Let the Sunshine In. I made my Broadway debut this week, haha. (Stay tuned for circa four to ten years and I will hopefully have a REAL Broadway debut.)
This week we also went to a Playwright Panel put on by Back to Broadway. Sarah Ruhl, Keith Huff and Tracy Letts were all in attendance. They wrote In the Next Room (or the vibrator play), A Steady Rain and Superior Donuts respectively. (Tracy is also a man - this seems to be a motif in my life recently.) This panel was fascinating for me, because one of my favorite things in the world is to listen to the writing process of other writers. Kelly equals big nerd. But I like hearing how each person's writing process differs from mine. Because I'm a nerd.
And today we woke up early (Nick's favorite activity - ...sometimes) to rush tickets for Hamlet. We have gotten up early twice thus far and I have not been ready on time either time. (Anyone surprised? Anyone? Anyone? Bueller?)
Hamlet was also amazing, in a completely different way. It was a well-done Shakespeare in the sense that I understood everything that was going on in spite of what can probably be called a Serious Language Barrier. Jude Law was amazing. He was a very physical Hamlet - he did a lot of hopping and laughing and jumping and frolicking. Rollicking good time for everyone. Except Ophelia.
(Speaking of, she was the only serious disappointment in the show. The woman who played Ophelia wasn't quite as committed as everyone else and her singing was not as fabulous as it could have been and it was sad.)
The light design of Hamlet also did exactly what The Runner Stumbles tried to do, haha. Specific blocks and shafts of light. Luckily in Hamlet, you could actually see faces. I consider this a plus. Broadway: One. Forrest Hutchins: Zero.
I'm sorry this is so horribly long all the time. I get easily distracted during the week and forget to update. I'll try to be better about it. I really will. Cross my heart and hope to die. (But if you put a needle anywhere in, on or around my eye, I will cut you.)
Love you all, Kelly
All of which are LEGIT. But not so much conducive to updating you on my life.
I had my first week of classes this week. And they were HARD. I literally came home from my first day and couldn't decide if I loved every minute of it, or if I wanted to quit and fly home immediately. But it got better.
Monday: Acting, with Irma Sandrey. Initially I was excited because my teacher's name is Irma. She is a tiny little woman and she seems very self-contained. The classes are structured so that everyone can take any class, so experienced people are in with new students, so I was surrounded by a lot of people who totally knew what they were doing. I was uncomfortable. Yikes. Four hours of relaxation exercises and sensory-perception exercises and scene-partner assigning. LONG TIME.
Tuesday: Acting, with Lola Cohen. Lola is my new obsession. She is warm and loud and passionate and fun and I love her. But the class is essentially a repeat of the day before with one notable exception. Lola had me do an improv with two other (experienced) people in the class and at the end, she said to me, "Great improv work today. You were really great. And anyone good at improv is going to be a marvelous actor." Yay!
Movement for the Actor, with Michael Ryan. I didn't expect to actually sweat - I expected that I was going to be told that I stand with too much tension in my shoulders and lower back and that I should learn to walk better. But we got to dance and jump and frolic. A good time was had by all.
Wednesday: Vocal Production, with Bruce Baumer. To sum up the class, the goal is that I will leave being completely capable of performing in a 350-seat theatre, without a mic. I hope this happens. We didn't actually do much in class, just talked about a lot of random things, like how much the teacher loves Neil LaBute (gag me with a spoon).
Thursday: Dialects, with Barbara Rubin. SO EXCITED. All we did was learn the vowels in the International Phonetic Language, but I will eventually walk out of this class capable of: Standard American, London, Cockney, Irish, Scottish, Australian, French, Spanish, Italian, German, South African and a few more dialects. Hooray!
Singing, with Jan Douglas. The most notable thing that happened was that I discovered that Jan is a man. I had no idea.
And repeat next week. Except I have Monday off, because it's Yom Kippur! Hooray Jewish High Holy Days!
This week was also INCREDIBLY exciting because Nick and I FINALLY saw Hair!!! I wasn't even there for the lottery - our friend Amanda put her name in to aid the Help

Needless to say it was amazing. Obviously I don't have the emotional attachment to the show that Nick does, nor have I been living and breathing and waiting for the show for approximately ten months, but it was still brilliant. Beautiful singing, wonderful characterization/total commitment from the actors and an emotional impact made it a fab experience. I couldn't really see the stage, ever, but I got my hair and body touched not once, not twice, NOT THRICE but FOUR TIMES BY ACTORS IN THE SHOW.
Plus at the end, Nick and I got to dance onstage during Let the Sunshine In. I made my Broadway debut this week, haha. (Stay tuned for circa four to ten years and I will hopefully have a REAL Broadway debut.)
This week we also went to a Playwright Panel put on by Back to Broadway. Sarah Ruhl, Keith Huff and Tracy Letts were all in attendance. They wrote In the Next Room (or the vibrator play), A Steady Rain and Superior Donuts respectively. (Tracy is also a man - this seems to be a motif in my life recently.) This panel was fascinating for me, because one of my favorite things in the world is to listen to the writing process of other writers. Kelly equals big nerd. But I like hearing how each person's writing process differs from mine. Because I'm a nerd.
And today we woke up early (Nick's favorite activity - ...sometimes) to rush tickets for Hamlet. We have gotten up early twice thus far and I have not been ready on time either time. (Anyone surprised? Anyone? Anyone? Bueller?)
Hamlet was also amazing, in a completely different way. It was a well-done Shakespeare in the sense that I understood everything that was going on in spite of what can probably be called a Serious Language Barrier. Jude Law was amazing. He was a very physical Hamlet - he did a lot of hopping and laughing and jumping and frolicking. Rollicking good time for everyone. Except Ophelia.
(Speaking of, she was the only serious disappointment in the show. The woman who played Ophelia wasn't quite as committed as everyone else and her singing was not as fabulous as it could have been and it was sad.)
The light design of Hamlet also did exactly what The Runner Stumbles tried to do, haha. Specific blocks and shafts of light. Luckily in Hamlet, you could actually see faces. I consider this a plus. Broadway: One. Forrest Hutchins: Zero.
I'm sorry this is so horribly long all the time. I get easily distracted during the week and forget to update. I'll try to be better about it. I really will. Cross my heart and hope to die. (But if you put a needle anywhere in, on or around my eye, I will cut you.)
Love you all, Kelly